In 2004, she embarked on The Verizon Ladies First Tour in which she co-headlined with Alicia Keys and Missy Elliott. In 2016 Beyoncé saw her most successful tour to date, The Formation Tour grossing more than U$260.000.000 in just 49 shows.īeside her solo live performances, Beyoncé has also embarked on two collaborative tours. The tour itself however was lauded by music critics, who again praised Beyoncé's performance abilities and the more advanced production seen compared to her previous tours. Grossing US $229,727,960, the 132 date venture was criticised for the name of the tour, as Beyoncé appeared to be letting herself be known as simply Shawn "Jay-Z" Carter's wife, despite being proclaimed as a "modern-day feminist". Beyoncé saw her largest tour to date with 2013-2014's The Mrs. World Tour also marked the first time Beyoncé had performed in South American countries. She collaborated with Thierry Mugler exclusively for the tour's costumes. Sasha Fierce, Beyoncé embarked on her next world concert venture, the I Am. Following the release of her 2008 third studio album I Am. The tour visited five continents and Beyoncé was lauded by music journalism for her simultaneous dancing and singing abilities. In 2007, she embarked on her first major solo world tour – The Beyoncé Experience, following Destiny's Child's disbandment in 2005. Based predominantly in the United Kingdom, the tour received an unfavorable review from Dave Simpson of The Guardian based on Beyoncé's costumes and a confusion of her core audience at the time. Her solo tour debut (whilst on hiatus with Destiny's Child) began in 2003, with the Dangerously in Love Tour. In time, it should be seen as a career highlight from a superstar - one of the hardest-working people in the business, a new mother, in total control, at her creative and commercial peak.Beyoncé performing during The Formation World Tour in at the Wembley Stadium in July 2016Īmerican singer Beyoncé has embarked on seven concert tours during her solo career, five of which have been worldwide, one which has been collaborative, and one just in Europe.
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It opens with an elegantly delivered "Let me sit this ass on you." When the album came out, the release itself dominated the chatter. Soul throwback ballad "Rocket" is a close second, another amusing mix of metaphorical and explicit come-ons. Best of all is "Blow," playfully risqué boogie loaded with instantly memorable lines - "I'm-a let you be the boss of me," for instance - and a slick tempo changeup. It concludes with McMahon's dismissal of her group, as if to say, "Yeah, but look at me now." There's also a whole lot of romance, heartache, and, most prominently, monogamous sex - in the kitchen, in a chauffeur-driven car, while drunk. Central track "***Flawless" opens with Ed McMahon's introduction of her preteen group on Star Search, incorporates the combative "Bow Down" and a portion of celebrated Nigerian writer Chimamanda Ngozi Adichie's TED talk on feminism, as well as a booming, quotable-packed victory lap. "Mine" and "Blue" involve vivid expressions regarding the turbulence and thrill of motherhood. There are deep references to Beyoncé's competitive showbiz upbringing and acknowledgments of her beloved Houston hometown. Beyoncé co-wrote and co-produced all of the songs with A-listers like Pharrell, Timbaland, James Fauntleroy, Hit-Boy, and the-Dream, as well as emerging Detroiters Detail and Key Wane and the previously unknown Boots. Easily her best album since B'day, it's among her most entertaining and sexually explicit work, yet it's substantive in every respect. And then, on December 13, while engaged in a world tour and when no one expected it, she released her fifth solo studio album with accompanying videos. There were appearances on albums by Rowland, the-Dream, and husband Jay-Z, as well as a Soundcloud upload "Bow Down/I Been On," passionately debated for its aggression and vulgarity, and the more "ladylike" "Standing on the Sun," a clothing retailer tie-in.
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A documentary, Life Is But a Dream, aired on HBO. The trio released "Nuclear," an excellent song disregarded for not being an anthem. She headlined the Super Bowl XLVII halftime show, joined by Destiny's Child partners Kelly Rowland and Michelle Williams. The first 346 days of Beyoncé's 2013 were eventful enough.